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Suede lounge edmonton speed dating

Third single from the album "The Ice Queen." Sue Foley - Vocal and guitar Jimmie Vaughan - Vocal and guitar Mike Flanigin - Organ Billy Horton - Upright bass George Rains - Drums Produced by Mike Flanigin Executive producer - Sue Foley Associate producers - John Scoles and Stable 8Recorded and mixed by Chris Bell Mastered by Gavin Lurssen, Lurssen Mastering, Burbank, California Recorded at Firestation Studios, San Marcos, Texas (Assistant engineer - Mark Harlen)Mixed at Firefly Sound Studios, Canyon Lake, Texas (Assistant engineers - Dan Flynn and Ben Poyant)Photography by Alan Messer "The Lucky Ones" written by Sue Foley, Mechanicsville Music ASCAP/SOCAN and Stony Plain Music SOCAN c p 2018 Sue Foley under exclusive license to Stony Plain Recording Co. Second single from the album "The Ice Queen." Sue Foley - Vocal and guitar Billy Horton - Upright bass George Rains - Drums Produced by Mike Flanigin Executive producer - Sue Foley Associate producers - John Scoles and Stable 8Recorded and mixed by Chris Bell Mastered by Gavin Lurssen, Lurssen Mastering, Burbank, California Recorded at Firestation Studios, San Marcos, Texas (Assistant engineer - Mark Harlen)Mixed at Firefly Sound Studios, Canyon Lake, Texas (Assistant engineers - Dan Flynn and Ben Poyant)Photography by Alan Messer "The Ice Queen" written by Sue Foley, Mechanicsville Music ASCAP/SOCAN and Stony Plain Music SOCAN c p 2018 Sue Foley under exclusive license to Stony Plain Recording Co. First single from the album "The Ice Queen." Sue Foley - Vocal and guitar Charlie Sexton - Vocal and slide guitar Chris Maresh - Fender bass Chris Layton - Drums Kyle Thompson - Maracas Produced by Mike Flanigin Executive producer - Sue Foley Associate producers - John Scoles and Stable 8Recorded and mixed by Chris Bell Mastered by Gavin Lurssen, Lurssen Mastering, Burbank, California Recorded at Firestation Studios, San Marcos, Texas (Assistant engineer - Mark Harlen)Mixed at Firefly Sound Studios, Canyon Lake, Texas (Assistant engineers - Dan Flynn and Ben Poyant)Photography by Alan Messer "Come To Me" written by Sue Foley, Mechanicsville Music ASCAP/SOCAN and Stony Plain Music SOCAN c p 2018 Sue Foley under exclusive license to Stony Plain Recording Co. Without doubt, Kevin Breit is one of Canadas most intriguing musicians.

Whether working in conjunction with pals including Harry Manx (three albums) and The Sisters Euclid (five albums), on his own (seven and more releases), or as a sideman, Breit always brings something engaging and frankly unique to his recorded appearances.

Jimmy Thackery created a distinctively raw, powerful guitar style and established a reputation as a spectacular soloist who is widely considered to be one of the finest guitar players of his generation.

A cover of Reverend Gary Davis Death Dont Have No Mercy goes deeper than deep in true Davis Piedmont tradition. You Should Have Known, a digital-only single from legendary Canadian western singer-songwriter Ian Tyson, unapologetically celebrates the hard living, hard drinking, hard loving cowboy life.Hear the lead track "Ain't That Loving You" now: Great playing, good taste and a deep faith stacked high in the blues spills out generously on Ronnie Earl and the Broadcasters intimate new album The Luckiest Man.The reliable smooth Chicago texture of Southside Stomp a staple feel on any Earl and the Broadcasters album is set against the deep warmth of Jims Song written and performed by Earl for the memory of bandmate and bassist Jim Mouradian.The Knee High Fizzle takes a jaunty run through rockabilly references, with Chevy Casanova illuminating more uptown touches, complete with lively saxophone from Vincent Henry.Always a sucker for a bit of Yakety Sax (or yakety axe), I Got Em Too is a favoured romp.

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However, other pieces appear little more than excuse for playful song titles as evidenced by Cozy With Rosy and Zing Zong Song, which initially borrows from theme, before sliding into Los Straitjackets territory. None of which diminishes the obvious skill and artistry Breit possesses, nor the encompassing appeal of this recording. Earl has worked with his band The Broadcasters for almost 30 years. This album is dedicated to the memory of long-time Broadcaster bass player Jim Mouradian.

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