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In 2007, Professor Camille Paglia argued in her article "Art movies: R. P." that "[a]side from Francis Ford Coppola's Godfather series, with its deft flashbacks and gritty social realism, ...[there is not]...

Now healthy, the former top prospect is finally realizing his potential.In the 1960s, "art film" became a euphemism in the U. With this approach, a broad range of films, such as a 1960s Hitchcock film, a 1970s experimental underground film, a European auteur film, a U. "independent" film, and even a mainstream foreign-language film (with subtitles) might all fall under the rubric of "art house films".By the 1980s and 1990s, the term "art film" became conflated with "independent film" in the U.The international critical renown that Eisenstein garnered from this film enabled him to direct October as part of a grand 10th anniversary celebration of the October Revolution of 1917. Art films were also influenced by films by Spanish avant-garde creators, such as Luis Buñuel and Salvador Dalí (who made L'Age d'Or in 1930), and by the French playwright and filmmaker Jean Cocteau, whose 1930's avant-garde film The Blood of a Poet, uses oneiric images throughout, including spinning wire models of a human head and rotating double-sided masks.In the 1920s, film societies began advocating the notion that films could be divided into "entertainment cinema directed towards a mass audience and a serious art cinema aimed at an intellectual audience". Cinéma pur, a French avant-garde film movement in the 1920s and 1930s, also influenced the development of the idea of art film.

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In England, Alfred Hitchcock and Ivor Montagu formed a film society and imported films they thought were "artistic achievements", such as "Soviet films of dialectical montage, and the expressionist films of the Universum Film A. The cinema pur film movement included several notable Dada artists.